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Cynthia Kros, Reece Auguiste and Pervaiz Khan edit a collection about African moving images and the archives in which they survive. The contributors examine film production, reception and preservation from the late nineteenth century to contemporary practice.
Historical and critical studies consider cinema's relationship with modernity, colonial institutions, war and changing forms of cultural expression. Other chapters discuss archival research and the teaching of African film. Together they connect the interpretation of moving images with questions about who preserves them, how they can be accessed and what they reveal about lived experience.